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Marchesa Elena Grimaldi fg
Painting ID:: 6520
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DYCK, Sir Anthony Van
Marchesa Elena Grimaldi fg
c. 1623
Oil on canvas
National Gallery of Art, Washington
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Portrait of a Gentleman sdf
Painting ID:: 6521
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DYCK, Sir Anthony Van
Portrait of a Gentleman sdf
1624
Oil on canvas
Alte Pinakothek, Munich
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Self Portrait (detail) 12f
Painting ID:: 6522
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DYCK, Sir Anthony Van
Self Portrait (detail) 12f
c. 1621
Oil on canvas
Alte Pinakothek, Munich
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Self-Portrait dfgjmnh
Painting ID:: 6523
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DYCK, Sir Anthony Van
Self-Portrait dfgjmnh
1625-30
Oil on canvas, 116,5 x 93,5 cm
The Hermitage, St. Petersburg
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Isabella Brandt dfhjj
Painting ID:: 6524
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DYCK, Sir Anthony Van
Isabella Brandt dfhjj
c. 1621
Oil on canvas
National Gallery of Art, Washington
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DYCK, Sir Anthony Van
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Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;
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